Women on top: 3 must-see African films with strong female leads
London, Oct. 27, 2017(AltAfrika)- Women have been at the heart of some of the most powerful new films from Africa. Below are some you wont want to miss
À mon âge je me cache encore pour fumer (“I still hide when I smoke”)
Director: Rayhana Obermeyer
Set during the Algerian Civil War, I still hide when I smoke takes us back to a day in 1995 which we spend in and around a hammam owned by Fatima (Hiam Abbass). The constant bombings have disrupted the water supply and the hammam is packed with wives, daughters, widows and children, who pour out their concerns as they wash away the weight of their worlds.
They explore sex, marriage, religious extremism, divorce and romance. As heavy and intense as this film can get, director Rayhana Obermeyer does a marvellous job of using Samia (Fadila Belkebla), a hopeless romantic, to provide comic relief when needed.
As the day moves on, the film is carried by Meriem (Lina Soualem). She has fallen pregnant out of wedlock and has escaped to the hammam to hide from her brother who wants to kill her. Fatima keeps her hidden until realising the only way to make it through is to seek the help of her customers.
Obermeyer presents the harshness of this reality and challenges the ways we are used to hearing Muslim women talk about their wants, desires and fears. This one day in the hammam serves as a microcosm of the fundamentalist and patriarchal world that lies waiting for the women when the hammam closes and they are forced to leave the walls of their sanctuary.
Corps étranger (“Foreign body”)
Director: Raja Amari
Having fled Tunisia following the Jasmine Revolution, Samia (Sarra Hannachi) is plunged into the Mediterranean Sea as she attempts to make her way to France. Once she arrives, she connects with Imed (Salim Kechiouche), a friend from her past – a past filled with family and political struggles from which she desperately tries to distance herself.
Samia lives her life with an urgency. Through Foreign body, we remain close to her as she works through her new world, tainted with grief, lust and insecurities, whilst trying to evade her past which continues to haunt her.
We meet Leila (Hiam Abbass), a recent widow who starts off by being Samia’s employer but ends up being an ally as they both try to grasp for control in the new lives in which they’ve found themselves.
Samia has the ability to adapt quickly to her constantly changing environments whilst never fading into the background. In one scene, we see her dance seductively in the centre of the dance floor in Ahmed’s café. Sometimes with a beer. Sometimes alone. Sometimes with a partner. But always in control and on her own terms.
Director: Pascale Lamche
“I was horrified when I realised I had lost my identity…suddenly I was Mandela’s wife” – Winnie Mandela.
As with the majority of social movements, the stories that typically come to be revered are those that highlight the work done by those at the forefront. We seldom hear full stories about those equally active behind the scenes, often women, enabling such movements to happen.
That the focus of this documentary about Winnie Mandela’s story, as told mainly by Winnie and her daughter Zindziswa Mandela. It offers an open and frank telling of Winnie’s life from her marriage to Nelson Mandela, to her ANC activism during her husband’s incarceration, to the controversies that have threatened to discredit her.
Whatever your stance, there’s something to be said for director Pascale Lamche presenting a narrative which has Winnie sharing and liberating her own story.